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NEW
YORK ART COLLECTORS FIND SOFA
Serious sales,
especially in the ceramic sector, combined with an upsurge in
sophisticated collectors attending the show, made for the strongest
SOFA NEW YORK fair ever. Mark Lyman, President of SOFA
said, “The New York art collectors found SOFA this year.
It seems the attendance was up. The show floor was full but not
hectic.”
Joan
Mirviss of Joan B. Mirviss, Ltd., New York, exhibiting
for the second year in SOFA NEW YORK, said, “The show went
very well. It felt to me like we had more sophisticated clientele
this year. Sales were very good.” Mirviss was especially
pleased with the sale of Wada Morihiro’s
Large Vessel in Rectangular Form, 1999 stoneware with
slip overglaze, one of a very few pieces created with a representational
design of stylized roses by Japan’s foremost abstract, polychrome
decorative surface clay artist. Mirviss said, “I wanted
something really wonderful to bring to SOFA, and was thrilled
when the artist offered this piece from his personal collection.
Several important curators and ceramic artists said it was best
piece in the show.”
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| Garth Clark in
the Carlo Zauli Special Exhibit at SOFA |
Garth
Clark of Garth Clark Gallery, New York, said, “The
caliber of collectors attending SOFA NEW YORK are on a par with
New York’s ADAA’s (Art Dealers Association of Americas)
Art Show. The event feels quite the same, similar traffic on the
floor. Even the crowds today (Saturday) are serious buyers. I
was also impressed by the number of collectors who had traveled
from many parts of the country to attend the show. And every piece
we sold, we sold to new clients whom we would not have sold to
in the gallery.”
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| Paul Day, The
St. Hubert Galleries, 2002 |
Garth
Clark Gallery, New York enjoyed key sales including a
major sculpture by Carlo Zauli, #39 Column,
part of is a stunning Special Exhibit at SOFA NEW YORK, Carlo
Zauli (1926-2002) and Contemporary European Ceramics: A Survey,
organized by Garth Clark and presented in conjunction with the
Museo Carlo Zauli, Faenza, Italy. Also selling as part of the
Special Exhibit was The St. Hubert Galleries, 2002 by
Paul Day.
Additional
sales at the Garth Clark Gallery booth included Akio Takamori,
Seduction, circa 1987; and Isamu Noguchi,
Omen, 1952, as well as six pieces by Richard
Notkin, featured artist in the Garth Clark Gallery booth,
whose socially and politically activist pieces reference the centuries
old Yixing teapot genre.
Click
here to view Richard Notkin speaking about his work.
(quicktime plugin required)
On Saturday,
Franklin Parrasch of Franklin Parrasch Gallery, New York,
said, “This is our best SOFA ever. The market is astoundingly
strong. We have sold ¾ of the inventory we brought.”
Franklin Parrasch sold major works by John Mason, John
Cedarquist, Kathy Butterly and Stephen DeStabler. Renowned
ceramic sculptor John Mason made a presentation in the SOFA NEW
YORK Lecture Series.
Doug
Heller of Heller Gallery, New York said “The galleries
of SOFA NEW YORK are winning an ever-expanding and more sophisticated
audience for this innovative segment of the contemporary art world.”
Heller Gallery sold four large scale (approximately 50 inches
tall) Dinosaur Series (opposite image) by Venetian glass
maestro, Lino Tagliapietra. Also selling well
were glass and oil print wall sculptures by Nicole Chesney.
Click
here to view Nicole Chesney speaking about her work.
(quicktime plugin required)
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| David R. McFadden,
Cheif Curator Museum of Arts & Design (left) with Jack
Lenor Larsen |
650 visitors,
collectors and arts professionals enjoyed top-notch speakers in
the SOFA NEW YORK 2004 Lecture Series. Anne Meszko, Director
of Educational Programming, said of this year’s
presentations, “They were fabulous, with inspiring lectures
by both established and emerging artists and designers with a
strong international profile. Speakers came from the United States,
Denmark, Belgium, Germany, Korea and Spain. Collectively, this
year’s presentations were some of the strongest ever, extremely
well thought out and professional.” Over 136 persons enjoyed
the talk of preeminent textile designer, Jack Lenor Larsen.
Also attracting strong and enthusiastic audiences were:
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John Mason who along with Peter Voulkos,
led the “California clay revolution” in the mid-1950s
that transformed ceramics from a craft to a fine art medium.
Mason was represented at SOFA NEW YORK by Franklin
Parrasch Gallery, New York; |
| John
Mason speaking in the SOFA Lecture Series |
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Furniture designer Mira Nakashima, daughter of George
Nakashima (1905-1990), spoke on her renowned father’s
life and art. Both represented by Moderne Gallery,
Philadelphia.
Click here to view Mira Nakashima video clip.
(quicktime plugin required) |
| Mira
Nakasima |
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Michael Glancy, on his new works premiering
at SOFA for the first time in four years. Glancy is renowned
for resplendent glass vessel forms that incorporate metal
inclusions and often rest on patterned base plates. Represented
by Barry Friedman, Ltd. New York; |
| Holly
Hotchner, Director, Museum of Arts & Design with Michael
Glancy |
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Jane Adlin, Assistant Curator, Department of Modern
Art, The Metropolitan Museum of Art, who spoke on
Contemporary British Craft, and afterwards led a tour of SOFA
NEW YORK 2004, highlighting artworks referencing Britain’s
rich craft tradition. Presented in conjunction with The
Bard Graduate Center for Studies in the Decorative Arts, Design,
and Culture, New York. |
| Jane Adlin (left) leading
tour of SOFA after her lecture. |
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Silversmiths David Huycke, Belgium, Allan Scharff
and Claus Bjerring, Denmark, spoke on their contemporary
forms, informed by a historic European perspective. Represented
by Galerie Tactus, Copenhagen, Denmark.
Click
here to view David Huycke's video clip.
(quicktime
plugin required) |
| David Huycke, Claus Bjerring,
and Allan Scharff |
Perhaps
the most poignant sale at SOFA was Head with Open Mouth
by Gertraud Möhwald at Galerie b15,
Munich, Germany; Möhwald was killed in a tragic
accident in 2002. Renate Wunderle of Galerie
b15 said of parting with the piece, one of the last ones Möhwald
made, “I cried. It was a real loss because I feel so connected
to Gertraud. But I am very happy that it went to a fine Boston
collection.” Renate added, “And there are so few fine
pieces left now, outside of museum and private collections.”
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| Head with Open
Mouth, 2002, Gertraud Möhwald |
Renate Wunderle, Galerie b15,
with Möhwald sculpture |
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DIRECTLY TO LIVE UPDATES FOR SELECTION OF ARTWORK SOLD AT SOFA
NEW YORK |