SOFA
NEW YORK 2004:
SPOTLIGHT ON CERAMIC SCULPTURE
| |
| Carlo
Zauli
Black Shape, 1973
Stoneware with Black Glaze
19.68”h x 8.66”w x 11.02”d
Photo Credit: Museo Carlo Zauli |
SOFA
NEW YORK 2004 will again spotlight ceramic sculpture, with its special
focus on the volumetric presence of form. Central to the emphasis
on the sculptural potential of ceramics, is a Special Exhibit at
SOFA NEW YORK, Carlo Zauli (1926-2002) and Contemporary
European Ceramics: A Survey, presented in conjunction with
the Museo Carlo Zauli, Faenza, Italy, and Garth Clark Gallery, New
York, NY, an exhibitor at SOFA NEW YORK 2004.
| |
| Carlo
Zauli (1926-2002) at work.
Photo Credit: Museo Carlo Zauli |
This
Special Exhibit will present the US with its first survey of Carlo
Zauli’s sculptural genius. Considered to be one of the greater
ceramics sculptors of the twentieth century, Zauli comes from an
Italian ceramic lineage that began with abstractions of Lucio
Fontana and Leonardi Leoncillo.
| |
| Carlo
Zauli
White Shape, 1982-83
Stoneware with White “Zauli” Glaze
22.83”h x 20.47”w x 13”d
Photo Credit: Museo Carlo Zauli |
Critic
and ceramic art historian, Garth Clark writes:
“Carlo Zauli’s approach to art was
a dialogue between structure, material, geometry and nature. There
is no sign of the hand on his work and he was careful to ensure
that the work appeared not “hand-made” but more as the
result of an organic process, like rocks formed in shapes by water
over thousands of years yet miraculously leaving the water’s
foam alive on the surface. To advance this idea he developed a glaze
(Zauli white). It was not his only glaze but it was his favorite
and it became his visual signature. From a distance the surface
is soft and bubbly, but when examined more closely it has a toughness
and a white surface shot with steely grey and hard black. Zauli
began as a potter in the 1950’s but soon moved onto sculptural
form that stressed the plastic energy of the clay.”
| |
| Wouter
Dam
Yellow Piece, 2002
Stoneware
9 x 11
photo: Noel Allum |
The
Special Exhibit will also juxtapose the recent works of a dozen
contemporary European artists, all dealing with abstraction and
mostly with minimalism, working with explorations of volume (whether
of vessels or not), Babs Haenen and Wouter
Dam from the Netherlands, Lawson Oyekan,
Martin Smith and Nicholas Rena
from Britain, Michael Cleff from Germany, Piet
Stockmans from Belgium, Carme Collell
and Claudi Casanovas from Spain, Bodil
Manz and Michael Geertsen from Denmark,
and Alev Siesbye from France.
| |
| Nicholas
Rena
Asymmetrical Bowl, 1999
Earthenware
25” d |
Garth
Clark Gallery, NY, NY will also present work for sale in its exhibitor
booth by Sir Anthony Caro, Richard Notkin,
Beatrice Wood, Ron Nagle and Paul
Day, among others.
Many
of the galleries and dealers at SOFA NEW YORK 2004 will exhibit
master ceramic artists including
•
John Mason, Kenneth Price, and
Peter Voulkos (Franklin Parrasch Gallery, NY, NY);
• Gordon Baldwin and Gertraud
Möhwald (Galerie b15-Renate Wunderle, Munich,
Germany);
• Xavier Toubes and Margie Hughto
(Loveed Fine Arts, NY, NY); |
|
|
|
John
Mason |
Gertraud
Möhwald |
Xavier
Toubes |
•
Sun Koo Yuh, Nicholas Arroyave-Portela,
and Robert Turner (Helen Drutt: Philadelphia);
• Richard DeVore, Michael Lucero
and Betty Woodman (Donna Schneier Fine Arts,
NY, NY);
• Shoji Hamada and Rosanjin Kitaoji
(Joan B. Mirviss, Ltd., NY, NY); |
|
|
|
Nicholas Arroyave-Portela |
Michael Lucero |
Rosanjin Kitaoji |
•
Robert Arneson (John Natsoulas Gallery, Davis, CA),
Jim Leedy (WEISSPOLLACK, NY, NY and Bridgeport,
CT), and Jack Earl (Nancy Margolis Gallery,
NY, NY);
• Julian Stair, Claire Curneen
and Steven Dixon (Clay, Venice, CA);
• Yasuo Hayaski and Kosuke Kaneshige
(Dai Ichi Arts, Ltd., NY, NY). |
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|
Jim Leedy |
Claire Curneen |
Yasuo Hayaski |
| |
| Sergei
Isupov
Devotion, 2004
Porcelain
21.5 x 9 x 7 |
 |
Nelli Isupov
Untitled Figure, 2004
Ceramic
19 x 7.5 x 6 |
Ceramics
dealer Ferrin Gallery, Lenox,
MA will present A Family of Artists
at SOFA NEW YORK, a focus show of works by four members of the Isupov
family. In 1991, Sergei Isupov, a ceramic sculptor,
immigrated to the US where he has enjoyed a successful career as
an artist, with pieces in the permanent collections of many world
museums. Prior to that, for several years, he lived in Estonia while
his family, who are also artists, remained in Kiev, Ukraine. His
father, Vladimir Isupov, is a painter; his mother, Nelli Isupova
is a folk artist working in ceramics; and his younger brother, Ilya
Isupov, is also a painter. The family is well known for their artwork
in Kiev. SOFA NEW YORK will be the first time their work will be
shown together in the US. Critic Greg Kapelyan writes, “The
Isupov family story is an outstanding example of the archetypical
Old World way of artistic upbringing, when talent and craftsmanship
were the result of domestic nurturing rather then schooling in the
public domain. That’s the way Mozart was made Mozart, after
all.” |